![]() If you live in a town or city your experience of wide open or spectacular landscapes might be quite limited.How do you feel about the future of the planet, your access to green spaces, species extinction, pollution and all the other issues related to life on Earth? Reflect on your own relationship to nature, the natural world, various landscapes and issues connected to the climate emergency.For example, one theme could be movement. A theme is a BIG IDEA that connects two or more art works. You could try identifying some of the themes that connect the images in this gallery above.Making your own photographs is a kind of research. As well as reading and making notes you could also start making your own images (still and/or moving) inspired by their work. Once you've had a thorough browse through these images, choose 2 or 3 of the artists and try to find out as much as you can about them and their work.Click on each image to find out more about the work: None of these artists make straightforward or conventional landscape pictures. Some of them use analogue techniques, others prefer digital technologies, some even use a combination of both. Some are fascinated by the ways in which we depict and consume nature, whereas others use photography to document a performance or gesture in the landscape. Some of the artists use images to question the impact humans have had on the natural world. Some use unusual techniques and processes to represent their way of seeing landscapes or their understanding of the forces, like wind and light, at work in nature. Many of them work with more than one photograph (using layering or collage to build their images). The artists use photographic techniques to question some of the conventions of landscape photography. They are all linked by their approach to the construction of landscapes. Here are a selection of images by a wide range of artists/photographers. Constructed landscape photographic images, therefore, reflect the construction of nature itself. We use nature to construct ideas and stories that reflect our human desires. What appears natural in the landscape is often the result of careful management. You might construct a photographic image in order to question what a landscape is. To construct an image might reveal how and why it has been made. This ongoing body of work consists of staged landscapes made of collaged and montaged colour negatives shot across different locations, merged and transformed through the act of slicing and splicing ‘Constructed Landscapes’ references early Pictorialist processes of combination printing as well as Modernist experiments with film the work also engages with contemporary discourses on manipulation, the analogue/digital divide and the effects these have on photography’s status.Ĭonstructing a landscape photograph might be different to simply taking one. Le Gray’s innovation was to print some of the seascapes from two separate negatives – one exposed for the sea, the other for the sky – on a single sheet of paper. This usually meant sacrificing the sky, which was then over-exposed. This indicates the join between two separate negatives Most photographers found it impossible to achieve proper exposure for both landscape and sky in a single picture. 'The Great Wave', the most dramatic of his seascapes, combines Le Gray’s technical mastery with expressive grandeur At the horizon, the clouds are cut off where they meet the sea.
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